There is a gaping
chasm of truth between what is written, said and discussed about many
'underground' artists and what is actually true. I feel that techno is
especially prone to this mythmaking process because it has no stars, there are
no hits, it doesn’t make its way into the mainstream media and there is no
dedicated radio or TV to support it. No wonder that most of the exposure for
this music has migrated online. Add in the fact that most people who make
techno don’t really want to be in the limelight, have their photo taken or want
to be famous - this facelessness and lack of egotism is something I have always
found especially endearing: unfortunately, it’s not always apparent, but that
point is sufficient for a whole new post
- and there is ample room to make up stories about techno’s heroes.It can be amusing
to hear that so and so only makes music on a Wednesday or that a well-known
label signed three EPs and an album from an esteemed electro act because that
act wrapped the label owner’s 3-series BMW around a tree, but this also means
that it’s disappointing when confronted with the normal, humdrum reality of the
artist’s existence. I’m not a fan of PR firms, but, faced with the alternative,
an artist who won’t do interviews or be photographed, then it’s not hard to
understand why the myth making process starts. This is adopted and often
embellished by the fan base and the myth gains credibility. As the artist
refuses to comment or speak publicly, it is impossible to confirm or repudiate
the rumours. The myth becomes reality. Maybe we’ll never know the truth about
some of the artists we love and maybe trying to do so is to spectacularly miss
the point – in the end, they’re all lying in the same gutter as us: they’re
just reaching for the stars, and maybe that’s all that really counts.
I have 3 small labels and yes this is how it is at the moment and yes I do have an understanding thank you. - so why then do you claim that the practice of labels paying off journalists to write favourable reviews is 'wholesale' (your word). Does this mean that you pay people for reviews?
If you are so sucessful why are you wasting your time getting into this discussion? Don't you have a jet to catch to your next gig?
If it was such a cliched post, why waste your time with it? Also, why did you not post links to all the 100s of similar articles that have been written on this subject in the past? Probably because you couldn't find them.
Posted by: Brophy | July 13, 2008 at 08:59 AM
I think a 'Techno Mythology' book or series is long overdue - it'd be great to start collecting some of these stories, in the same way that there's been a recent spate of design books about the flyers and album art (see 'Disc Style', etc.).
Ack, I didn't mean to bang on for so long - but I think there's a lot to explore here. Anyway, great post!
- cheers, thanks for the reply James. Maybe the techno myths book is an idea for the futue, it's a good suggestion.
Posted by: Brophy | July 13, 2008 at 09:03 AM
"Good post James...very often in the true Tony Wilson sense the myth is more interesting than the truth and makes for better reading. And he was a journalist."
So, you mean lies then? :)
Posted by: Martin Dust | July 14, 2008 at 06:35 AM